Looking to create an ‘unexpected and unusual’ score, Daniel Pemberton captured the sounds of the era of the early ‘50s using vintage banjoes as well as interesting drum and rhythmic textures featuring metals with blocks, creating less conventional drumkit sounds. He also used an iconic piano from famed Abbey Road Studios, also known as Mrs. Mills piano, that the Beatles used in “Penny Lane,” “Lady Madonna” and “With A Little Help From My Friends.” In theaters now. Welcome to The Big Score, a Hollywood Records original series, where you’re invited on an exclusive, behind the scenes journey inside the minds of some of culture's most innovative composers in show business. Featuring Siddhartha Khosla (Hulu’s Only Murders in the Building), Jeff Ament (FX’s limited series Under the Banner of Heaven), Pilou (Searchlight Picture’s Not Okay), Daniel Pemberton (Searchlight’s See How They Run and 20th Century’s Amsterdam), Amanda Jones (National Geographic’s Super/Natural), and Carter Burwell (Searchlight’s Banshees of Inisherin). Subscribe to the Big Score for a remarkable front row seat to the origin story behind some of Film and TV’s most iconic musical moments. https://hollywoodrecs.lnk.to/TheBigScore Follow us here: https://www.instagram.com/bigscoreofficial/ https://www.facebook.com/TheBigScoreOfficial https://www.tiktok.com/@bigscoreofficial https://twitter.com/thebigscore